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Contents of this
feature:
Preamble
Tools of the Trade
The Investigations
Audio Analysis
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in reading the transcipts of these investigations:
The
Transcript Project
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"Who Is the Third Who Walks Always Beside You?": Ghost-Hunting
in Rural Tennessee
by Patrick Lane
Posted on January 9, 2002
Who is the third who walks always beside
you?
When I count, there are only you and I together
But when I look ahead up the white road
There is always another one walking beside you
Gliding wrapt in a brown mantle, hooded
I do not know whether a man or a woman
- But who is that on the other side of you?
--T.S. Eliot, "The
Waste Land" (359-365)
A Preamble, Containing More Ghostly Occurrences
Than the Actual Investigations
A couple of years ago I had the immense good fortune to be able
to study in Britain for about six summer weeks. While there, I visited
both Stonehenge and Loch Ness, thereby experiencing firsthand the
two places which most occupied my imagination from the ages of 8
to 13. With these goals fulfilled, only one great childhood dream
remained -- to see a ghost. And out of the entire world of paranormal
and occult phenomena I believed in as an adolescent, only ghosts
still linger on the fringes of my belief system undismissed. A good
(and very credible) friend of my family has seen ghosts on three
separate occasions, and my own father has a story about seeing what
may have been the resident ghost of the Orpheum
Theatre here in Memphis while rehearsing a play.
Living in a less than spiritually active slice of
suburbia and not wanting to have to experience the death of a loved
one, I realized that if I wanted to have a ghostly experience then
I would need to bring myself to them. One problem with this plan,
though: it assumes I am not a gutless coward who can barely check
out books from the literature stacks of his college library
because they are on the eminently creepy sixth floor.
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The Burrow Library
In my defense, a number of
people I have spoken to also believe that the Burrow
Library at Rhodes College has a certain evil aura. I don't
actually recall feeling particularly creeped out on the sixth
floor until my Junior year (but of course, the amount of time
I had to spend there increased exponentially in my Junior
and Senior years), but once I was aware of it, it did take
a serious force of will to make myself mount that last flight
of steps every time I needed to double-check a Barth quote.
And then a friend of mine described how whenever she started
down the stairs from the sixth floor it always felt like there
was a pair of hands hovering just centimeters above her back,
ready to give her a good hard shove. After that, I had trouble
leaving the place, since I realized that the uneasy
feeling I had been experiencing was also just like that of
malicious hands.
To my knowledge there is
no historical reason to expect the Library to be haunted (although
there are a few vaguely Masonic connections which campus conspiracy
theorists like to expound upon), and more likely the unwholesome
atmosphere has more to do with the architecture and the way
the books muffle ambient sound to create a unnatural stillness.
But does this make me feel any better? Of course not.
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Most of the reputedly haunted locations in Memphis would have required
not only awkward permissions to gain access to but also an amount
of courage I was not fully prepared to produce. The Woodruff-Fontaine
House in Memphis' Victorian Village is said to have a few resident
spirits, though I doubt its curators would be very keen on having
a thoroughly amateur ghost-hunting team clomp around through it.
Also, again, the Orpheum, in addition to its more famous auditorium
spirit (a little girl in white), is said to be cursed with an unusually
high injury rate in its kitchen and sports a basement in which investigators
have allegedly been attacked by an unseen force -- this latter information
coming from an acquaintance who had done some work at the theater,
though I must admit it has never been corroborated by a second source.
For most of my childhood I had believed in the notion that ghosts
were as harmless as projected images. They might be sad, they might
be playful, they might be startling or creepy, but (despite Hollywood)
I never thought that they might be actively malevolent. The knowledge
that my notions could be wrong certainly did not increase the courage
quotient.
A further detriment was a perceived lack of proper investigative
equipment. I had seen "ghost-hunting" kits for sale before,
featuring digital thermometers and electromagnetic field detectors,
occasionally thermal imaging equipment -- I had none of this, nor
the money to spend on acquiring it. Leave the hunt to the professionals,
I decided. Or at least to the fanatic and financially-able hobbyists.
EVP
I'm beginning to hear voices and there's
no one around
--Bob Dylan, "Cold
Irons Bound"
And then I found out about EVP: Electronic Voice Phenomena. While
bored at work during the summer of 2001 -- on average I was having
one or two students/customers coming in a week -- I began scouring
the internet for good amateur ghost-hunting societies, hoping to
read some interesting anecdotes or see some compelling photographs.
And while there were these (though the photos were by and large
a disappointment), what really caught my attention were the groups
who spent their time hunched over tape recorders, trying to make
out messages from beyond the grave in the whispers of tape hiss.
And then, most excitingly, posting their findings on the web as
audio files which really creeped out a certain person who had to
spend his days totally alone in a cubby-filled space.
The premise of EVP is that dull human ears cannot hear ghosts,
but microphones can. The actual physics of this situation are fuzzy
at best - some claim the sounds are recorded below (or sometimes
above) the frequency we can normally hear or reproduce with our
own vocal cords. But with some enhancement, these sounds can be
heard off of a recording. Others argue that the phenomenon is electromagnetic
in nature, and that either the ghosts' EMF energy influences the
microphone or that the message is directly imprinted on the magnetic
tape in the cassette -- this supposedly can occur even while the
tape is packed away somewhere, not being recorded upon in the least.
This last notion I find patently ridiculous -- it would require
the spirit to somehow etch its message on the wound tape spool in
exact concordance with industry standards for playback speed if
the result were to be at all intelligible. Of course, listening
to some of the online samples, intelligibility is apparently a very
relative term. I find some of the purported ghostly communications
to be clear cases of wishful thinking, some have been "enhanced"
and manipulated by computer to a ridiculous degree, and others sound
like distorted background noise. There also seems to be a clear
risk of recording errant radio signals which are also inaudible
to the human ear -- I, for example, happen to own a CD player that
plays the radio broadcast of some unidentifiable station very, very
faintly in the background whenever the power is turned on. I don't
trust all investigators' equipment not to have the same problem
at times.
However, there are some, a very few, that are genuinely chilling.
And, most frighteningly, these tend to be the more malevolent ones,
voices cursing the investigators for their intrusion, hissing demands
that they leave, or warning them of the presence of some other,
dangerous entity. Hearing some of these made it especially difficult
to feel comfortable working alone all day. When I played them back
later for my friend Nathan Ragain, many seemed far less convincing
than when I first head them. But still, EVP recording presented
me with a very cheap, practical way to conduct some ghost-hunting
of my own. I asked Nathan and his wife Missy if they were interested
in joining me, and they said that they were. Certainly, I could
not have done it without them -- even if all three of us may be
somewhat skittish by nature (each to his or her own degree, of course),
together we could summon a modicum of courage.
[Onward, to Page 2: Tools of the Trade]
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